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Moving On.....
04.05.05 (1:54 pm)   [edit]

Well, I tried. I moved in here, prettied up the place, opened a few windows, hung some pictures...but it just didn't feel like home. Things jammed; doors didn't close well, and there doesn't seem to be an attic.


I've moved back to my old digs...but this time my website has been magically bloggified, thanks to the guru magic of Tony HInes, a friend of mine who knows stuff. Look for me at: Jackson's Actions.

 
Writing Groups
04.04.05 (8:27 am)   [edit]

I quit my writing group yesterday. It was a tender and painful thing, like leaving a lover. I was surprised at how much it hurt to break it off


A writing group is a very special place to a writer.It is the space where you share, out loud, your innermost secrets, your deepest thoughts and fears. At least that’s what it is for me, because that’s what goes into my writing. I pour myself, warts and all, into words and go places on paper that I’d never go with a spouse or family member. So it is imperative that a writing group maintains respect and a certain amount of tact for and with its members.

It’s not to say that the love can’t be tough, that the technical standard can’t be high, and the ‘business’ of writing dealt with in a no-nonsense way. In fact that is much preferable to the ‘feel good’ groups who praise each other regardless of quality in the way of mindless cheerleaders. My group strove for honesty.


So why did I leave?


Someone said they were tired of my depressing stories.Why couldn’t I (big sigh, eyes rolling) just once write something ‘happy.’That was followed by agreement and the addition that none of my characters were likeable.


I’ve had much tougher criticism. But criticism that I could do something about. I can’t change my life experience, my ground of being, my style. So I left.  Call me temperamental.  But in truth, it wasn't even what was said.  It was a loyalty to, a committment to some little piece of my internal writer  who shriveled and withdrew, and likely won’t come out again for a long, long time.

 
Spring/Rebirth/Nature/Life
04.02.05 (4:00 pm)   [edit]

I'm tired of dying...let's see what living has to offer.


RIP Terry Schiavo, Johnny Cochran, John Paul II

 
Joe Btfsplk wrings his hands
04.01.05 (3:59 pm)   [edit]

Dying seems to be hanging over our heads like the cloud over Joe Btfsplk. (For the uninitiated, Joe Btfsplk was a character out of the famous L’il Abner cartoon strip who was dreaded and feared because he was a jinx.)


Terry Schiavo has just departed. Perdue has sold his last chicken. Johnny Cochran is taki ng a lunch with Nicole Brown. The Pope is going. Rainier of Monaco is in trouble. Jerry Falwell is on a respirator and one can only try to curb one’s bad thoughts. Does Death drift in like a spate of bad weather, hovering and decimating en masse before sweeping out to sea?

I am sensitive to this weather. I am out of sorts. I don’t like facing my own feelings about people on life support, the overly rich, the most powerful of Catholics, royalty and a right wing horse's ass. They are remote from me and their celebrity or notoriety creates a focus that makes it impossible to ignore, thus the brain must engage with the dramatic reality of life and death once again. It brings a question to me: how do I feel? I feel like Joe. Life is a wonderful thing. It is clearly better to live a full life and die old than to live in a young body with a damaged brain and a feeding tube. So I think about the quality of life when I think of death. “He’s had a good life,” people say. They say that for the same reason that I think Terry Schaivo should have been taken off support a long time ago. A good life is important.

But I am not God. I am not even the Pope, (who seems to think, in spite of all his good intentions, that his principles should be the credo of everyone else.) Alas, we all have our own beliefs.  I even think God is up for discussion.

One should be allowed to die in dignity; one should be fed and kept and alive; marriage should be between a man and a woman; marriage should be an equal right for all peoples who love each other; a woman should have  power over her own body, the government should have the power over a woman's body, the list is endless . . . the disagreements, the polarity of Americans, of political parties, of religious beliefs. It looks impossible to reconcile. It looks like there is no right or wrong . . .only the harangue, the sound bite, the public furor, the blind followers, the angry crowd. Only the cloud to bring it to its inevitable end. God is not dead.  Just ask any protester outside the hospice.  But in the face of all this turmoil,  I think love might be.

And like Joe Btfsplk, I wait for the rain and wring my hands.

 
The Eye of God
03.28.05 (2:59 pm)   [edit]






Acrylic and Japanese paper collage on ribbed cardboard.
Beverly Jackson
 
A rain poem
03.28.05 (7:04 am)   [edit]
One Goodbye

Between drops of rain
there is a laciness
that curtains the world,
a gauze that softens edges,
a sheer that wafts with breeze,
just shading the world, the face
of the window, the easy, long
steps he takes, going down
the sidewalk, his shirt billowed
with air, his chin tilted
against the wet pencils
of drizzle, my eyes following
like a lighthouse in fog.

Beverly Jackson
 
Nomadic Museum
03.27.05 (8:26 am)   [edit]

Every Sunday morning at 7:30 am (!!) I watch "Sunday Morning" on television, a CBS journal of events, music, art, headlines, retrospectives, et al.  It is delightful television, and my favorite show.  One of the segments today was on the Nomadic Museum, a 'traveling museum' that is in NYC right now, but destined for L.A., The Vatican and other major international cities in the future.  The architect who designed the museum out of cargo boxes is the famed Shigeru Ban, an artist in his own right with a vision that is captivating.  Just pack 200 artworks into the containers that are the walls of the museum and move on!  While looking like a warehouse on the outside, it looks like a cathedral on the inside, housing large photos that are serene and beautiful. 


The photos by Gregory Colbert are (to me) simply magical.  He travels around the world and shoots animals and 'animals' (people) in the most poetic, spiritual, feral ways. He made me cry when he said in the interview that "people are a lonely species" (isn't that true, true, true?)  and that is captured in his work.  He is an out of the mainstream artist who definitely rejects convention, and thus is on the outs with the art world establishment. (he won't accept grants or sponsors, only private funding from individuals, as an example.  He also doesn't show in public museums.)


The images he creates are incredible.  I only hope I get a chance to see them when they come to Los Angeles.  Here's an article I found to give you a taste:  The show is called "Ashes and Snow."

Nomadic Museum
 
Jack Granath, I think I love you...
03.26.05 (8:02 am)   [edit]

For those of you who don't get excited about poetry...take a gander at this:   "The Windstorm"


The rest of us can just take a cold shower!  Whew!

 
THE INFORMANT -Flash fiction
03.25.05 (7:00 pm)   [edit]

It’s your voice, the same rich river; time does not change timbre--but the tone’s another thing. I clutch the phone, waiting for the inevitable assault. The dogs come right to mind. So  I don’t inquire after all these years;  but I can see pink tongues, lolling little tongues even now.



Your deep voice was such a comfort until that winter drive to the Hamptons.  Along the edge of a gray, flat Atlantic, the snow clung in dirty mounds to everything it touched while you confessed your sins. I worried the thumb of my mitten, my heart going deaf, my ears already tuned to lapping waves, and the rhythms of puppy sleep in the back seat. Marriage vows scattered and flew, fragile as terns in a sky as we circled and returned to where we began.


 ‘The dogs have died,’ you say, just before my finger finds a dial tone.


 All the years of healing undone by just the sound of you.


Beverly Jackson

 
HOLD 'EM TABLE (Poker Club in Gardena)
03.25.05 (9:21 am)   [edit]

Under the glare,
Vietnamese eyes
flick back and forth
from each fierce
face to playing card
as if snipers hide
among the pips
or jungle guerillas
lurk in the aisles
of the poker tables.
Rice paddies sleep
in long fingers
with nails neat as
women, dealing out
sets of Hold'em,
flash of buddha gold,
pools of apple jade
in their pinkie rings.


The white man
they call Papa
loves them, but
takes their money,
his heart swollen
with their stories
of incredulous
salvation, afloat
on boats in open
sea wiith sharks,
without food,
clinging to fate,
delivered weeping
to safety, to the arms
of America, to all
unheard of goodness,
where Papa even
lets them win,
now and then.


Beverly Jackson
Originally published in The Lucid Stone

 
Poetry, Plagiarism, and Progress
03.24.05 (8:11 pm)   [edit]

Today I discovered that there is someone who is plagiarizing poetry.  Not one or two poems, but an entire body of work, and each poem from a different poet.  Is there a word for such folly?  To plagiarize anything has always sounded like a ridiculous act to me.   To what end?  To live a lie?  The entire process of creativity is an end in itself.  One writes because one must.  Or to make money.  There is no money in poetry.  And what creative urge can be satisfied by stealing someone else’s poem?  It sounds, sadly, like the act of a person deranged or at best, very sadly
out of control for some reason known only to him.
 
But it got me to thinking about those dark places in all of us.  That part of us that envies and covets that which belong to others. Or the “keeping up with the Joneses” phenomena.  Most people would deny having such feelings.  It’s not a flattering idea to think of oneself as dissatisfied.  But is there anyone who hasn’t envied another’s good luck, good fortune, or good looks?  If this is part of the human condition (and I’m wagering that it is) then what allows some people to use illegal, immoral, and unjust means to steal another man’s goodness –while the rest of us are content to just swallow the pangs and strive for our own rewards?   Is it a kind of obsession?  A burning jealousy? Is it a mean, small minded payback?  Is it some putrid steam coming off the very soup of evil itself?
 
I can anticipate  the yada yada about family values, the meltdown of society, and the loss of  the smiley faced complacency of days gone by.  But this is nothing new . . . it seems to me that evil just finds new faces and new forms with each new era.  In this age of technological miracles and reincarnations of barbaric and ritualistic horrors of the dark ages, can anything surprise us?   Children shooting up schools, beheadings in a 21st Century war,  torture and AIDS as commonplace as traffic.  One can only shiver at the thoughts of what might be next unleashed.


Even on a world scale, the conflicts of the ‘haves” and “have nots” seem to be acted out like selfish children trying to grab the toys of another.  Whether it’s principles, oil, property, or prestige, it seems to span the existence of man—war, crime, greed, and retribution.  Gawd, it makes me tired to think about it.
 
But poetry? 


I’d just like to have an ass like JLo’s  

 
Reading the Favorites
03.24.05 (1:50 pm)   [edit]

Just for amusement, (anything to keep from finishing the novel) a friend of mine took a poll of  a small writer’s group, asking for their ten favorite books, and then listed them, 62 books in all.  Then she asked us to pick just one as our favorite book.   Impossible, of course. I picked a book from someone else’s list, A Gift of Stones by Jim Crace. 

This list of favorites was formidable.



  1. The Hitchhiker’s Guide to the Galaxy – Douglas Adams

  2. The Cure for Death by Lightning – Gail Anderson-Dargatz

  3. Pride and Prejudice - Jane Austen

  4. Leviathan - Paul Auster

  5. New York Trilogy by Paul Auster

  6. How I Cam West, and Why I  Stayed– Alison Baker

  7. The Wasp Factory - Iain Banks

  8. Henderson The Rain King – Saul Bellow

  9. Jane Eyre – Charlotte Bronte

  10. Wuthering Heights – Charlotte Bronte

  11. L’Etranger – Albert Camus

  12. Other Voices Other Rooms – Truman Capote

  13. Illywhacker – Peter Carey

  14. Short Cuts – Raymond Carver

  15. Where I’m Calling From – Raymond Carver

  16. Don Quixote – Cervantes

  17. Among the Missing – Dan Chaon

  18. What A Carve Up! – Jonathon Coe

  19. Heart of Darkness – Joseph Conrad

  20. A Gift of Stones – Jim Crace

  21. Great Expectations – Charles Dickens

  22. The Brothers Karamazov – Dostoevsky

  23. The Count of Monte Cristo – Alexandre Dumas

  24. Alexandria Quartet – Lawrence Durrell

  25. Absalom, Absalom! – William Faulkner

  26. The Great Gatsby – F.Scott Fitzgerald

  27. The Magus – John Fowles

  28. Passage to India – EM Forster

  29. One Hundred Years of Solitude – Gabriel Garcia Marquez

  30. Strange Pilgrims - Gabriel Garcia Marquez

  31. In This House of Brede – Rumer Godden

  32. The Heart of the Matter – Graham Greene

  33. The Remains of the Day – Kazuo Ishiguro

  34. The Haunting of Hill House – Shirley Jackson

  35. Dangerous Liaisons – Choderlos de Laclos

  36. The Debt to Pleasure – John Lanchester

  37. The Rainbow – D.H. Lawrence

  38. To Kill A Mockingbird – Harper Lee

  39. The Golden Notebook – Doris Lessing

  40. Beautiful Mutants – Deborah Levy

  41. Defiance – Carole Maso

  42. The Crossing – Cormac McCarthy

  43. Beloved – Toni Morrison

  44. The Black Prince – Iris Murdoch

  45. Me and the Fat Man –Julie Myerson

  46. The Third Policeman – Flann O’Brien

  47. The Affirmatioin – Chris Priest

  48. Even Cowgirls Get the Blues – Tom Robbins

  49. Fierce Invalids Home from Hot Climates – Tom Robbins

  50. American Pastoral – Phillip Roth

  51. Midnight’s Children – Salman Rushdie

  52. Mohawk – Richard Russo

  53. The Little Prince – Antoine de Saint Exupery

  54. Green Eggs & Ham – Dr. Seuss

  55. Grapes of Wrath – John Steinbeck

  56. Anna Karenina – Tolstoy

  57. Breakfast of Champions – Kurt Vonnegut

  58. Cat’s Cradle – Kurt Vonnegut

  59. Mother Night – Kurt Vonnegut

  60. Slaughterhouse 5 – Kurt Vonnegut

  61. Brideshead Revisited – Evelyn Waugh

  62. Gut Symmetries – Jeannette Winterson

I was amazed to discover that I had only read 22 of these 62 books.  I have printed out the list for later  reference, as people’s favorite books surely merit some attention.   This is a different undertaking than reading “recommended” books because they have historical or intellectual or academic merit.  These are books chosen as favorites by competent writers who are widely read. It strikes me that more pleasure might be found in these choices than some other reading lists I’ve seen.


But I confess I have no intentions of reading  Jane Eyre or Wuthering Heights.  It’s even possible I already did in my youth.  Both stories are etched into my brain, as I know I sat in a movie theater, rapt, at a very young age, Olivier and Orson Welles indelibly imprinted in their leading roles.


The other amazement was how many excellent books were missing from the list.  But we were forced to pick only ten, and that was difficult enough.  There were books on the list I had read and didn’t like much (100 Years of Solitude – Garcia Marquez, as an example). 

But probably the most interesting thing to me was the fact that I liked certain books “at the time” in my life when I read them, but would not necessarily choose them as favorites today.  Doris Lessing’s Golden Notebook is a perfect example.  I was smitten with it in the middle of the women’s liberation movement, but it doesn’t hold my attention today when trying to reread it.


Perhaps my attention span has decreased.  But for whatever reason, I am not one who enjoys going back and rereading when there are so many unread books waiting, and so little time.